PHISH, SUNDAY 08/02/1998
DEER CREEK MUSIC CENTER
Noblesville, IN

SET 1:

Roggae: Standard.

Divided Sky: An absolutely phenomenal rendition! Trey delivers an outstanding performance, showcasing his exceptional talent. The inclusion of massive trills at a certain juncture ignites tremendous enthusiasm among the audience. It's evident that Trey approached this piece with immense passion and energy, resulting in a flawless execution that truly captivates the audience. Would recommend.

The Horse: Standard. >

Silent in the Morning: Standard. >

You Better Believe It Baby:

Boogie On Reggae Woman: LOL at this being a jamcharts version. It is basically a standard version with a short, fairly benign jam. >

Reba: The climax in this one is sort of all over the place. Trey playing a million notes and Page seems like he is sort of flying off the handle too.

Weigh: Standard. >

Birds of a Feather: Trey does this one justice. Yes it’s short but he makes that doc scream a number of times.

SET 2:

Possum: Page's virtuosity on the B-3 organ was nothing short of extraordinary, as he skillfully navigated the keys, delivering layers of rich and soulful tones. Fantastic synergy between Mike and Trey - nothing short of breathtaking. The segue to "Ghost" served as the perfect transition, injecting a fresh and invigorating twist into the set. Would recommend!

Ghost: Trey takes the lead from the outset, commanding the spotlight with unwavering presence. However, Page doesn't linger in the background; he skillfully maneuvers to share the forefront, creating a dynamic interplay between their instruments. The collaboration between Trey and Page is seamless, as they engage in a captivating dance for musical dominance. As the performance progresses, the last 4 and a half minutes introduce a unique twist, veering into a herky-jerky and funky terrain. The duo maintains an electrifying energy, infusing the composition with unexpected rhythmic shifts and vibrant textures. Yet, the conclusion takes an intriguing turn, gradually fading into an enigmatic nothingness that leaves the listener in contemplative awe. The journey from fervent collaboration to subtle dissolution adds an element of mystery to the musical narrative, creating a memorable and thought-provoking experience. Would recommend! >

Lifeboy: Well-deserved breather. Crowd seems to go nuts for this one. >

David Bowie: Not only does the band play with precision and skill, but they also treat the audience to a delightful array of clever teases in the latter part of the rendition. These subtle nods add an extra layer of excitement and musical depth to a fairly standard version otherwise.

I Get a Kick Out of You[1] - Phish playing Sinatra, nice. This was the debut, and they would only play it one more time at 11.9.98.

Loving Cup: Standard.

ENCORE:

Harry Hood: Solid yet unspectacular. >

Bittersweet Motel: Standard.

Summary: A commendable and proficient performance, though it may not reach the heights of spectacularity. The execution is solid, showcasing a reliable and steady delivery without necessarily venturing into extraordinary territory. While the current Phish.net rating stands at 4.32/5, a more nuanced evaluation might settle around 4/5.

Replay Value: Divided Sky, Possum, Ghost

[1] Phish debut.

The end of Bowie contained Lizards, Possum, and Divided Sky teases from Trey. This show marked the Phish debut of I Get a Kick Out of You.
SHOW RATING
Ratings are currently offline.
Overall: 4.322/5 (>50 ratings)
JAM CHART VERSIONS
Boogie On Reggae Woman, Possum, Ghost
TEASES
The Lizards, Possum, and Divided Sky teases in David Bowie